Oktober 2017
13.10.2017 -
2017 / 201710 / Ausstellung
Martina-Sofie Wildberger

Tobias Bienz, Denise Hasler, Martina-Sofie Wildberger
2017 / 201710 / Diskussion / Performance / Screening
Guest event: Le Foyer Conversation XLXI
Maria Iorio and Raphaël Cuomo
Appunti del passaggio and an Occasional Accent: Storia di storie

Gioia Dal Molin, Maria Iorio and Raphaël Cuomo
26.10.2017 -
2017 / 201710 / Ausstellung
Corner College at Kunst 17 Zürich (Zurich Art Fair)
Donatella Bernardi
27.10.2017 -
2017 / 201710 / Symposium
trans-local Sympodium
What’s Wrong with Performance Art?

Camille Aleña, Madeleine Amsler, Donatella Bernardi, Linda Cassens Stoian, Delphine Chapuis Schmitz, Voin de Voin, Mo Diener, Heike Fiedler, Gilles Furtwängler, Lia García, San Keller, Elise Lammer, Milenko Lazic, Valerian Maly, Federica Martini, Angela Marzullo, Lou Masduraud, Muda Mathis, Irene Müller, Sibylle Omlin, Denis Pernet, Guillaume Pilet, Nathalie Rebholz, Chris Regn, Dorothea Rust, Andrea Saemann, Pascal Schwaighofer, Dorothea Schürch, Bernadett Settele, Dimitrina Sevova, Axelle Stiefel, Kamen Stoyanov, Katharina Swoboda

Tuesday, 08.02.2011


Each One, Teach One
Theory Tuesdays
Philip Matesic

Soviet Avant-Garde Cinema

Dziga Vertov - Chelovek S Kinoapparatom AKA Man With A Movie Camera [Alloy Orchestra Score] (1929)

"Man with a Movie Camera stands as a stinging indictment of almost every film made between its release in 1929 and the appearance of Godard’s À Bout de Souffle 30 years later – and Vertov’s dazzling picture seems, today, arguably the fresher of the two. In any case, it’s shameful that it took directors three full decades – three full decades of generally static, tedious “movies” – to remember that movies should really move, that the camera can and should be a mobile, vibrant participant in an exciting process: the transmission of events onto celluloid. This is what Man with a Movie Camera is all about. In terms of the use to which the medium was put, it’s a quantum leap forward, one of the rare films that deserves to be called a work of genius.” (Neil Young)

Selected and presented by Dimitrina Sevova

Posted by Stefan Wagner