April 2015
23.04.2015 -
22.05.2015
Ausstellung
Spooky Action at a Distance
(Artes Mechanicae and Witch's Cradle)

Amélie Brisson-Darveau, Andreas Marti, Conor McFeely, Mareike Spalteholz
 
29.04.2015
Écriture Collective - Reading Fiction and Its Theoretical Monster Prodigies
Jorge Luis Borges, A New Refutation of Time
Corner College Collective
 

Mai 2015
09.05.2015
Lecture-Performance
Machination, or The Spectre of the Invisible Hand
Raphaële Bidault-Waddington, Caroline Palla
 
13.05.2015
Lecture
Zwischen Operationssphäre und Horizonterweiterung. Eine Annäherung an einen für die Kunstgeschichte relevanten Maschinenbegriff
Heiko Schmid
 
27.05.2015
Lecture-Performance
The Slowness of Writing as a Way of Reading
or
A Curious Amalgam of Voices

Delphine Chapuis Schmitz
 

11.04.2012
20,00 Uhr

 

Lecture-Performance
Stockhausen at Ground Zero
Hans-Peter Frehner, Christian Hänggi
 


Cage & Stockhausen, 1958


A few days after the World Trade Center attacks in 2001, the German avantgarde composer Karlheinz Stockhausen (1928−2007) held a press conference in which − taken out of context − he made the remark that they had been the greatest work of art. This caused great uproar and led to his condemnation by a general public who had not heard of him before. With some ten years distance, this lecture-performance will try to come to a less emotionally charged understanding of the ways in which these enigmatic comments may be interpreted.

Posted by Stefan Wagner