September 2014
03.09.2014
Lecture
Alfred Gell on Art, Vol II
Adam Jasper
 
06.09.2014
Workshop
Art + Feminism Wikipedia Edit-A-Thon
AutorINen bearbeiten und publizieren einen Nachmittag lang Artikel zum Themenbereich Kunst + Feminismus


 
16.09.2014
Each One, Teach One
Theory Tuesdays & Practical Fridays
Philip Matesic
 
17.09.2014
Diskussion
Die Yasuní-Initiative: Zu visionär, um wahr zu sein?
Rechte indigener Völker und Biodiversität vs. Erdölförderung in Ecuador - Warum kam es zum Scheitern der Yasuní-Initiative und welche Verantwortung trägt die internationale Gemeinschaft?

Incomidios
 
29.09.2014 -
05.10.2014
Ausstellung
A4 (Arbeitstitel)
Tom Menzi
 

Oktober 2014
09.10.2014
/ Corner Cuisine / Konzert
Drastic Dislocations
Luigi Archetti, Mario Marchisella, Barry Wallenstein,
 
14.10.2014
Each One, Teach One
Theory Tuesdays
Philip Matesic
 
21.10.2014
Each One, Teach One
Theory Tuesdays
Philip Matesic
 
28.10.2014
Lecture
Dans 2.0
Mårten Spångberg
 
31.10.2014
Each One, Teach One
Practical Fridays
Philip Matesic
 

November 2014
04.11.2014
Each One, Teach One
Theory Tuesdays
Philip Matesic
 
11.11.2014
Each One, Teach One
Theory Tuesdays
Philip Matesic
 
21.11.2014
Each One, Teach One
Practical Fridays
Philip Matesic
 
25.11.2014
Each One, Teach One
Theory Tuesdays
Philip Matesic
 
27.11.2014
Diskussion / Hackteria
Re-designing Nature
Christoph Kueffer, Jill Scott
 

Dezember 2014
02.12.2014
Each One, Teach One
Theory Tuesdays
Philip Matesic
 
12.12.2014
Each One, Teach One
Practical Fridays
Philip Matesic
 
16.12.2014
Each One, Teach One
Theory Tuesdays
Philip Matesic
 

11.04.2012
20,00 Uhr

 

Lecture-Performance
Stockhausen at Ground Zero
Hans-Peter Frehner, Christian Hänggi
 


Cage & Stockhausen, 1958


A few days after the World Trade Center attacks in 2001, the German avantgarde composer Karlheinz Stockhausen (1928−2007) held a press conference in which − taken out of context − he made the remark that they had been the greatest work of art. This caused great uproar and led to his condemnation by a general public who had not heard of him before. With some ten years distance, this lecture-performance will try to come to a less emotionally charged understanding of the ways in which these enigmatic comments may be interpreted.

Posted by Stefan Wagner