Oktober 2017
13.10.2017 -
2017 / 201710 / Ausstellung
Martina-Sofie Wildberger

Tobias Bienz, Denise Hasler, Martina-Sofie Wildberger
26.10.2017 -
2017 / 201710 / Ausstellung
Corner College at Kunst 17 Zürich (Zurich Art Fair)
Donatella Bernardi
27.10.2017 -
2017 / 201710 / Symposium
trans-local Sympodium
What’s Wrong with Performance Art?

Camille Aleña, Madeleine Amsler, Donatella Bernardi, Linda Cassens Stoian, Delphine Chapuis Schmitz, Voin de Voin, Mo Diener, Heike Fiedler, Gilles Furtwängler, Lia García, San Keller, Elise Lammer, Milenko Lazic, Valerian Maly, Federica Martini, Angela Marzullo, Lou Masduraud, Muda Mathis, Irene Müller, Sibylle Omlin, Denis Pernet, Guillaume Pilet, Nathalie Rebholz, Chris Regn, Dorothea Rust, Andrea Saemann, Pascal Schwaighofer, Dorothea Schürch, Bernadett Settele, Dimitrina Sevova, Axelle Stiefel, Kamen Stoyanov, Katharina Swoboda, Martina-Sofie Wildberger

Tuesday, 18.12.2012


Each One, Teach One
Theory Tuesdays
Philip Matesic

Christmas Special

During this session, Agnes Thöni will be briefly present and screen the film "Calder's Circus". Shot in 1961 by Carlos Vilardebó, the film shows Alexander Calder's fascinating early work: his miniature circus. Sword swallowers, lions, contortionists and acrobats made of wire were manipulated by the artist, re-creating delicate little circus acts. The stage was designed to fit inside suitcases to be portable.

Calder used to give regular performances of his circus in Paris and New York through the mid-thirties. Avant-garde artists like Piet Mondrian, Jean Cocteau, Le Corbusier, Man Ray or Joan Miró attended in Calder’s studio to see it. The live shows, provided with an intermission, lasted up to two hours. As critic James Johnson Sweeney describes, Calder’s Circus was `a laboratory in which some of the most original features of his later work were to be developed.’

Total running time: 26 minutes, Language: French

Following the film and discussion, we will ring in the holiday season with homemade Glühwein and a special set by DJ Sammy Klaus.

Posted by Philip Matesic